Culture Short
One film for the careers page and the job ads.
- Half-day on site
- Three to four staff interviews
- One hero cut
- Vertical crops
Fewer wrong-fit applicants. Culture video that shows the job honestly, so the right people apply.
Content Department makes recruitment and employer brand video for Sydney teams. The point is not to make everyone want to work there. It is to make the right people apply and the wrong people self-select out before they cost you an interview loop.
Staff reading lines look like staff reading lines, and every candidate can tell. The films that work are interview-led, tightly cut, and honest enough to include something that is not perfect.
We run interviews properly, which mostly means asking better questions and then shutting up. The edit does the work, not the performance.
Getting a real answer out of someone on camera is a skill, not luck.
Which roles you are hiring, what candidates get wrong about you, and what you will not say on camera.
We talk to a shortlist of staff and pick the ones who are genuinely good on camera. It is rarely the volunteers.
Interviews plus b-roll of real work, on site, in a normal working day.
Hero film, per-role cutdowns and vertical crops for the job ads.
Most employer brand work is one shoot day producing many pieces.
One film for the careers page and the job ads.
The film plus per-role pieces, so each ad speaks to its own candidate.
Quarterly shoots so the content keeps up with the hiring plan and the team changes.
Tell us what it has to do, where it runs and when you need it. You get a fixed written quote before anything starts, and we will tell you if a smaller package does the same job.
Most are, and it is mostly about not knowing what they will be asked. We share the themes in advance, never the exact questions, and shoot in short blocks. Nobody is on camera for hours.
You can, and candidates will know. If the real team is not ready to be on camera, that is usually worth fixing before making the film.
It happens. Shoot enough people that no single departure kills the film, and keep the hero cut short enough to reshoot cheaply.
Every case study is written up end to end: the brief, the decisions and what the work did.
Tell us the roles and what candidates keep getting wrong. We will come back with a plan and a fixed price.