Club Promo
A long-form film for a clifftop course on the Sydney coast. The place makes the argument.
When your brand sounds like everyone else's, we find the one thing only you can say and film that.
Content Department is a Sydney studio that plans, shoots and edits brand films. The films worth making say one true thing and commit to it. We work out what that thing is before anyone picks up a camera, then shoot it properly.
Each of these had to land one idea. The film is the argument, not the decoration.
A long-form film for a clifftop course on the Sydney coast. The place makes the argument.
A product demo disguised as a comedy TVC. Proof beats claims.
Presenter-led and direct to camera, with the argument set in on-screen type.
A beautiful film about nothing is still about nothing. The expensive mistake is spending the budget before anyone has decided what the film is arguing.
We start with the positioning. What does the audience believe now, what should they believe after, and what single idea moves them. Then we shoot that, with real craft, in a room we control.
The first two are where the film is actually won.
What it is for, who it is for, and when it has to be live. We come back with a direction and a fixed price, not a range.
Two or three directions, then boards for the one you pick. Nothing gets shot until you have signed off on paper.
Shoot in our studio or on location. You are welcome on set either way.
Hero cut first, then every cutdown and aspect you need. Two rounds of revisions built in.
Every tier names what you walk away with. The number comes from a scoping call.
One sharp piece. Enough to say the thing and stop.
The flagship. Talent, location, craft and a proper grade.
The film plus everything the brand needs around it for the next year.
Tell us what it has to do, where it runs and when you need it. You get a fixed written quote before anything starts, and we will tell you if a smaller package does the same job.
Yes, and we would rather you had them. If they stop at logo and colour, we will build the motion and film language on top and hand it over.
A positioning session before any script. We look at what your audience currently believes, what your competitors are all saying, and where the gap is. The film goes in the gap.
Often better. When the product or the place carries the story, a presenter can get in the way. We will tell you which one your idea needs.
Every case study is written up end to end: the brief, the decisions and what the work did.
Both are a good place to start. Tell us the situation and we will come back with a direction and a fixed price.